Exhibitions

Extermination Malyj Trostenez – History and Remembering

14. June till 27. October 2019

Haus der Geschichte Österreich, Alma Rosé Plateau,
Neue Burg, Heldenplatz, 1010 Vienna

www.hdgoe.at

Maly Trostenets (Maly Trostinec), near Minsk, was one of the largest extermination sites of the National Socialist German Reich. The House of History Austria (hdgö) brings the exhibition shown so far in Germany and Belarus for the first time to Austria, supplemented by information on the deportations of Austrian Jews and their fates.

The House of History Austria thanks its partners: DÖW – Documentation Archive of Austrian Resistance | remember.at – National Socialism and the Holocaust: Memory and Presence | ALWAYS. Maly Trostinec remember | ÖAW – Austrian Academy of Sciences | University of Vienna – Institute of Contemporary History | Wiener Wiesenthal Institute for Holocaust Studies (VWI)

Three with a Pen: Lily Renée, Bil Spira, and Paul Peter Porge

08 May bis 15 September
Museum Judenplatz,
Judenpl. 8, 1010 Vienna

www.jmw.at

The three artists in “Three with a Pen” shared the same fate. They all grew up as Jewish children in Vienna, had to leave their home after the “Anschluss,” the annexation of Austria to Nazi Germany, and became successful elsewhere. They used their pens as tools for survival but also as sometimes trenchant weapons.

Lily Renée, born in 1922, escaped to England and made a career in New York as a graphic artist and illustrator. Her comic heroine Señorita Rio fought against the Nazis and other evil powers and became a cult figure for generations of comic fans.

Wilhelm “Bil” Spira (1913–1999), portraitist and caricaturist, painter and not least a gifted counterfeiter who forged innumerable visas and passports to enable those stranded in Vichy France to escape to freedom, survived denunciation and extermination camps to continue his successful career in Paris after the war.

Finally, Paul Peter Porges (1927–2016): at the School of Applied Arts in Vienna as a child, in the “Children’s Republic” and later in internment camps in France as a teenager, and at art school in Geneva as a young man. Armed with native wit and his pen, he went on to contribute cartoons and illustrations to some of the most prominent magazines in the USA, first and foremost The New Yorker.

The Jewish Museum Vienna is showing a representative selection of the works of these three outstanding artists, who have been rediscovered for the Austrian public.

Curator: Michael Freund, Sabine Bergler

LAST PLACES BEFORE DEPORTATION Kleine Sperlgasse, Castellezgasse, Malzgasse

11. May 2018 to 22. November 2019

5. March 2019
2. April 2019
7. May 2019
4. June 2019
2. July 2019

Amtshaus of the district Leopoldstadt
Karmelitergasse 9,
1020 Vienna

Kleine Sperlgasse 2a, Castellezgasse 35, Malzgasse 7 and 16 – these addresses in Vienna-Leopoldstadt are virtually absent in the collective memory. In the topography of the Shoah of Vienna and Austria, however, these are central places. Here in the years 1941/42 there were four transit camps, in which Jews were interned before the deportation. From here, groups of 1,000 people each were taken by truck to the Aspang station. From February 1941 to October 1942, a total of 45 deportation trains went to ghettos and extermination camps. Most of the more than 66,000 Austrian Shoah victims were sent to their deaths by the four collective camps. The path to annihilation began in the middle of the city. The exhibition “Last places before the deportation. Kleine Sperlgasse, Castellezgasse, Malzgasse “reconstructs and conveys the meaning of these now almost forgotten last places before the deportation.

Further information: https://www.oeaw.ac.at/ausstellung-letzten-orte/

Arik Brauer. All of My Arts

03 April to 20 October 2019
Jewish Museum
Dorotheergasse 11,
1010 Vienna

“I’ve always been a painter,” is the reply Arik Brauer gives when asked about how he found his way to art. Whereby in his case it is better to speak of the arts: Painting, architecture, music, dance, sculpture and poetry are just some of the areas in which he has successfully used his versatile talents. From the carefree childhood abruptly ended by National Socialism to the murder of his father in the Holocaust, through the study years at the Academy of Fine Arts, where he co-founded the Vienna School of Fantastic Realism, his journeys by bicycle through Europe and Africa, the Parisian years with his wife Naomi—a Yemeni woman born in Israel, whose father was Theodor Herzl’s coachman in Palestine—, all the way to the return to Vienna with his family, where he became one of the pioneers of Austropop, championed environmental protection, and had an apartment house built according to his plans.

In his second home of Israel he implemented his idea of building a house for himself and his family in the artists’ colony of Ein Hod. Arik Brauer artistically designed the exterior as well as the interior of the residence there down to the smallest detail. The close connection to Judaism and Israel is expressed in much of his art. His sensitivity, his wit, but often the critical analysis of socio-political issues is also reflected in his work. The Jewish Museum celebrates Arik Brauer as a man and artist on his 90th birthday and presents the different facets of his oeuvre. Until he turns 120!

Curators: Danielle Spera, Daniela Pscheiden

Image (c) Brigitte Luettge-Dauth

Café As. The Survival of Simon Wiesenthal

29 May to 24 November 2019 
Jewish Museum
Dorotheergasse 11,
1010 Vienna

Simon Wiesenthal is known to this day as the person who dedicated his life to seeking justice for the victims of the Shoah and as the man who tracked down Adolf Eichmann. Before the occupation of Poland and his persecution by the Nazis, Wiesenthal worked as an architect. During his detention at the Mauthausen concentration camp, he met the Polish coffee merchant Edmund Staniszewski, who secretly supplied him with bread for survival. Staniszewski wanted to open a coffee house in Poznan after the war and asked Simon Wiesenthal to design “Café As” (“Café Ace”).Wiesenthal made initial sketches for the café, advertisements, cake decorations and even designs for the waiters’ uniforms—everything we call a “corporate identity” today. After the liberation of the concentration camp, Wiesenthal worked on the drawings, which he made based on sketches from Mauthausen, from May to July 1945. However, “Café As” never opened.

The set of 80 detailed plans and drawings for “Café As” was acquired by the Jewish Museum Vienna from the estate of Edmund Staniszewski for its collections with the support of the “US Friends of the Jewish Museum Vienna.” It is a unique and significant testimony of survival in the murderous system of National Socialism.

Curator: Michaela Vocelka

Image (c) Jüdisches Museum Wien